Back to courses
Part 1: Original Categories — Revised (courses 1–2660) beginner

Photo editing: Photoshop in depth

Duration0 hours
Modules7
ForGeneral public, lifelong learners
Video1-2min
Get started — free →

Course outline

Module 1 Module 1: Interface and Workspace Essentials

Interface and Workspace Essentials

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. Which panel in Photoshop displays the layers that make up your image and lets you control their visibility and stacking order?
  • A. Navigator panel
  • B. Layers panel ✓
  • C. History panel
  • D. Swatches panel

Why: The Layers panel lists every layer in your document and lets you show or hide layers, change their order, and apply blending modes and opacity.

Q2. What is the default keyboard shortcut to undo the most recent action in Photoshop on Windows?
  • A. Ctrl+Z ✓
  • B. Ctrl+Y
  • C. Ctrl+Shift+Z
  • D. Ctrl+U

Why: Ctrl+Z (Cmd+Z on macOS) undoes the last action. Ctrl+Shift+Z is used for redo in many setups, while Ctrl+Y is also a redo shortcut in some configurations.

Q3. Which element of the Photoshop interface runs horizontally across the top of the screen and contains menus such as File, Edit, and Image?
  • A. Options bar
  • B. Menu bar ✓
  • C. Tools panel
  • D. Status bar

Why: The Menu bar at the top of the application window holds the main menu categories, including File, Edit, Image, Layer, Type, and Select.

Q4. What does the Tools panel in Photoshop primarily provide?
  • A. A list of open documents
  • B. A collection of tools for selecting, painting, editing, and navigating images ✓
  • C. A display of the file's color profile
  • D. A history of saved versions

Why: The Tools panel, usually docked on the left side, contains the selection, painting, retouching, type, and navigation tools you use to work on your image.

Q5. Which workspace feature lets you save and quickly switch between custom panel arrangements?
  • A. Smart Objects
  • B. Workspace presets ✓
  • C. Adjustment layers
  • D. Channels

Why: Workspace presets let you arrange panels to suit a task, such as Photography or Painting, and save that layout to return to it quickly.

Module 2 Module 2: Selections and Masking Techniques

Selections and Masking Techniques

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. Which selection tool is best suited for quickly selecting a subject with well-defined edges against a plain, contrasting background?
  • A. Lasso Tool
  • B. Magic Wand Tool ✓
  • C. Polygonal Lasso Tool
  • D. Brush Tool

Why: The Magic Wand Tool selects contiguous pixels of similar color or tone, making it ideal for a subject on a plain, contrasting background. The Lasso Tool requires manual tracing, and the Brush Tool is used for painting, not selecting.

Q2. What keyboard shortcut is commonly used to add to an existing selection in Photoshop?
  • A. Ctrl (Windows) / Cmd (Mac) while dragging
  • B. Shift while dragging ✓
  • C. Alt (Windows) / Option (Mac) while dragging
  • D. Spacebar while dragging

Why: Holding Shift while making a new selection adds it to the existing selection. Alt/Option subtracts from a selection, and Ctrl/Cmd is used for other functions such as moving a selection or selecting layers.

Q3. What does a layer mask do in Photoshop?
  • A. It permanently deletes pixels from a layer
  • B. It controls the visibility of a layer's pixels using grayscale values without destroying the image data ✓
  • C. It changes the color mode of a layer
  • D. It duplicates a layer for backup purposes

Why: A layer mask uses black, white, and gray values to hide or reveal parts of a layer non-destructively. White reveals, black hides, and gray partially reveals, so the original pixels remain intact.

Q4. In a layer mask, which color hides the content of the layer?
  • A. White
  • B. Black ✓
  • C. Red
  • D. Gray

Why: Black on a layer mask hides the corresponding pixels, white reveals them, and shades of gray create partial transparency. Painting with black on the mask is a common way to hide unwanted areas.

Q5. What is the main purpose of the Refine Edge or Select and Mask workspace?
  • A. To change the resolution of an image
  • B. To improve selection edges, such as hair or fine details, and generate accurate masks ✓
  • C. To apply color grading to a selection
  • D. To convert a selection into a text layer

Why: Select and Mask (formerly Refine Edge) provides tools like Refine Hair and edge adjustments that help produce cleaner, more natural selection edges, especially around complex areas such as hair, fur, or foliage.

Module 3 Module 3: Layers, Blending Modes, and Adjustment Layers

Layers, Blending Modes, and Adjustment Layers

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. In Photoshop, what is the main advantage of working on an adjustment layer instead of applying an adjustment directly to the image layer?
  • A. It permanently flattens the image so the file size is smaller
  • B. It is non-destructive, so the adjustment can be edited or removed later without degrading the original pixels ✓
  • C. It automatically removes noise from the photograph
  • D. It converts the image into a smart object by default

Why: Adjustment layers apply changes as separate, editable layers above the image. The underlying pixels remain untouched, so you can tweak or delete the adjustment at any time without losing image quality.

Q2. Which blending mode is commonly used to darken an image while keeping the lightest areas unchanged?
  • A. Screen
  • B. Overlay
  • C. Multiply ✓
  • D. Difference

Why: Multiply multiplies the colour values of the blend layer with the layers beneath it, producing a darker result. White areas (value 255) leave the underlying colours unchanged, which is why it is often used for shadows or darkening.

Q3. What does the opacity slider in the Layers panel control?
  • A. The sharpness of the layer's edges
  • B. How transparent the layer appears, allowing layers beneath it to show through ✓
  • C. The colour mode of the entire document
  • D. The resolution of the layer's pixels

Why: Opacity controls the overall transparency of a layer. Lower opacity lets more of the layers underneath show through, while 100% makes the layer fully visible and opaque.

Q4. What is the keyboard shortcut to create a clipping mask so that a layer only affects the layer directly beneath it?
  • A. Ctrl+Shift+N (Windows) or Cmd+Shift+N (Mac)
  • B. Ctrl+Alt+G (Windows) or Cmd+Option+G (Mac) ✓
  • C. Ctrl+J (Windows) or Cmd+J (Mac)
  • D. Ctrl+E (Windows) or Cmd+E (Mac)

Why: Ctrl+Alt+G (Cmd+Option+G on Mac) creates or releases a clipping mask. The layer above is clipped to the layer below, so it only shows within that layer's visible pixels. Ctrl+Shift+N creates a new layer and Ctrl+J duplicates a layer.

Q5. Which Layers panel icon is used to add a new Curves or Levels adjustment layer?
  • A. The trash can icon
  • B. The folder icon
  • C. The half-filled circle icon ✓
  • D. The page icon with a folded corner

Why: The half-filled circle icon at the bottom of the Layers panel creates new adjustment layers such as Curves, Levels, Hue/Saturation and Color Balance. The folder creates groups, the page icon creates a new blank layer, and the trash can deletes layers.

Module 4 Module 4: Retouching and Healing Tools

Retouching and Healing Tools

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. Which Photoshop tool samples pixels from one area and blends them with the texture, lighting, and shading of another area when you retouch?
  • A. Clone Stamp Tool
  • B. Healing Brush Tool ✓
  • C. Spot Healing Brush Tool
  • D. Dodge Tool

Why: The Healing Brush samples source pixels and matches their texture while blending the tone and lighting of the target area, which makes it ideal for blemish removal on skin. The Clone Stamp copies pixels exactly without blending, and the Dodge Tool lightens areas rather than repairing them.

Q2. What is the main advantage of the Spot Healing Brush Tool over the Healing Brush Tool?
  • A. It requires you to manually set a source point before each stroke
  • B. It automatically samples pixels from the surrounding area, so no source point is needed ✓
  • C. It only works on text layers
  • D. It permanently flattens the image into a single layer

Why: The Spot Healing Brush automatically samples from the pixels surrounding the area you click or paint, which makes it fast for small blemishes. The regular Healing Brush requires you to Alt/Option-click a source point first.

Q3. Which option should you select on the Spot Healing Brush or Healing Brush options bar to keep your retouching non-destructive?
  • A. Mode: Multiply
  • B. Sample: Current & Below
  • C. Sample: All Layers, or a separate blank layer with Sample: All Layers ✓
  • D. Brush Hardness: 0%

Why: Sampling All Layers, or painting on an empty layer set to sample all layers, lets you retouch without altering the original pixels. This keeps your edits flexible and reversible.

Q4. When using the Clone Stamp Tool, what must you do first to set the source area?
  • A. Double-click the layer thumbnail
  • B. Hold Alt (Windows) or Option (Mac) and click the area you want to copy from ✓
  • C. Press Ctrl+D to deselect
  • D. Select the Lasso Tool and draw a loop around the source

Why: Alt-clicking (Windows) or Option-clicking (Mac) with the Clone Stamp sets the source point. Painting afterward then copies pixels from that offset location.

Q5. Which retouching problem is the Patch Tool most suited for?
  • A. Changing the color of a car
  • B. Replacing a large area, such as a distracting background element, by sampling from another region ✓
  • C. Sharpening fine hair strands
  • D. Converting an image to black and white

Why: The Patch Tool lets you select an area and drag it to a source region, blending the replacement into the surroundings. It works well for larger problem areas, unlike the small-spot brushes.

Module 5 Module 5: Color Correction and Tonal Adjustments

Color Correction and Tonal Adjustments

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. Which Photoshop adjustment layer is best suited for setting the black and white points of an image to correct a flat, washed-out photo?
  • A. Hue/Saturation
  • B. Levels ✓
  • C. Vibrance
  • D. Photo Filter

Why: Levels displays a histogram and lets you move the black and white input sliders to expand the tonal range, which directly fixes flat or washed-out images.

Q2. In the Levels histogram, what does a spike clustered at the far left of the graph indicate?
  • A. The image is overexposed with blown highlights
  • B. The image contains many pure or near-pure shadow tones ✓
  • C. The image has excessive midtone contrast
  • D. The image is saturated with color

Why: The left side of the histogram represents shadows (dark tones), so a cluster there means many pixels are very dark, potentially indicating underexposure or crushed shadows.

Q3. What is the main purpose of the Curves adjustment in Photoshop?
  • A. To change the canvas size
  • B. To remap tonal values across the full range with precise control points ✓
  • C. To add a gradient overlay
  • D. To sharpen fine edges

Why: Curves lets you place control points on a tonal graph and drag them to remap input brightness values to output values, offering far finer control than basic sliders.

Q4. Which adjustment should you use to remove an unwanted yellow color cast from a photo taken under tungsten light?
  • A. Color Balance or Curves per-channel adjustment to reduce yellow/blue ✓
  • B. Desaturate
  • C. Invert
  • D. Posterize

Why: Color Balance or per-channel Curves let you add blue or reduce yellow in the midtones, neutralizing a color cast caused by warm artificial lighting.

Q5. What does the Exposure adjustment's Gamma correction control affect?
  • A. Only the pure white highlights
  • B. Only the pure black shadows
  • C. Mainly the midtones, brightening or darkening them without shifting the extremes much ✓
  • D. The image resolution

Why: Gamma in the Exposure adjustment adjusts midtone brightness while leaving pure black and pure white largely unchanged, which is useful for fine-tuning overall brightness.

Module 6 Module 6: Filters, Smart Objects, and Non-Destructive Editing

Filters, Smart Objects, and Non-Destructive Editing

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. What is the main advantage of converting a layer to a Smart Object before applying a filter in Photoshop?
  • A. It permanently flattens the layer to reduce file size
  • B. It allows the filter to be edited or removed later without degrading the original pixels ✓
  • C. It automatically converts the image to grayscale
  • D. It prevents any further edits to the layer

Why: Smart Object filters are applied non-destructively: the original image data is preserved, and the filter remains editable through the Smart Filters list, so it can be adjusted, reordered, or removed at any time.

Q2. Which of the following best describes a non-destructive edit?
  • A. An edit that overwrites the original pixels with the new result
  • B. An edit that can be changed or reversed without permanently altering the source image data ✓
  • C. An edit made using the Eraser tool
  • D. An edit saved in a JPEG file

Why: Non-destructive editing keeps the original image data intact by using layers, adjustment layers, Smart Objects, and masks, so changes remain reversible and adjustable.

Q3. What happens to a Smart Object's filter when you double-click the filter name in the Layers panel?
  • A. The layer is deleted
  • B. The image is exported automatically
  • C. The filter settings dialog opens so you can adjust the parameters ✓
  • D. The layer is converted to a regular pixel layer

Why: Double-clicking a Smart Filter's name reopens its settings dialog, allowing you to tweak values such as blur radius or sharpening amount without reapplying the filter.

Q4. Which file format preserves Smart Objects and their embedded content when saving a Photoshop document?
  • A. JPEG
  • B. PNG
  • C. PSD
  • D. GIF
Q5. Why might you choose to duplicate a layer before applying a filter?
  • A. Duplicating a layer increases the image resolution
  • B. It creates a backup so the original pixels remain available if the filter result is unsatisfactory ✓
  • C. Duplicated layers cannot be filtered
  • D. Filters only work on the bottom layer of a document

Why: Duplicating a layer before a destructive filter gives you a fallback copy of the original pixels, letting you compare results or revert without relying on the History panel.

Module 7 Module 7: Exporting and File Management for Web and Print

Exporting and File Management for Web and Print

Introduction

Core content I

Core content II

Core content III

Summary

Further learning

Knowledge check

Q1. Which file format is generally best for a photograph with smooth color gradients that will be displayed on a website and does not need transparency?
  • A. GIF
  • B. JPEG ✓
  • C. BMP
  • D. TIFF

Why: JPEG uses lossy compression that works well for continuous-tone photographs, producing small file sizes suitable for the web. GIF is limited to 256 colors and handles gradients poorly, BMP is uncompressed and large, and TIFF is typically reserved for archival or print-quality work.

Q2. When exporting a file for professional print, what resolution is most commonly recommended?
  • A. 72 ppi
  • B. 96 ppi
  • C. 150 ppi
  • D. 300 ppi ✓

Why: Print output generally requires about 300 pixels per inch at the final print size to look sharp. 72 and 96 ppi are standard for screen display, and 150 ppi is often too low for high-quality print.

Q3. Which color mode should you use when preparing an image intended for commercial offset printing?
  • A. RGB
  • B. Grayscale
  • C. Lab
  • D. CMYK ✓

Why: Commercial offset printing uses cyan, magenta, yellow, and black inks, so CMYK is the appropriate color mode. RGB is designed for screens and can produce colors that cannot be reproduced in print.

Q4. In Photoshop's Export As dialog, what does the 'Convert to sRGB' option ensure?
  • A. The file is reduced to 8-bit color depth
  • B. The colors are converted to a standard color space that displays consistently on web browsers
  • C. Transparent areas are filled with white
  • D. The image is resized to fit a standard web banner
Q5. Which practice helps keep web images loading quickly while maintaining acceptable quality?
  • A. Exporting at the highest possible resolution and letting the browser scale it down
  • B. Saving everything as an uncompressed TIFF file
  • C. Resizing images to the display dimensions needed and compressing them appropriately ✓
  • D. Embedding multiple high-resolution copies of the same image in one file

Why: Resizing to the actual display dimensions and applying suitable compression keeps file sizes small so pages load faster. Oversized images force unnecessary data transfer, and TIFF files are far too large for web use.

Stay in the loop on this course.

We’ll email you when new modules or related material drops. No spam.

Built with Fragment Language. Sovereign architecture — no third-party trackers.
FragRun.mfgAFImemoryFGOwnership: B-Systems.ee